Inside

In the Kubo panel now.

And here is something interesting Kubo-san says: apparently, when he draws action, he sees it all in his head, like a movie with its own soundtrack. And when he wants to draw it, he freezes the action and then visually, in his head, he circles arount it to find the best angle for the visual.

I’m going to ask him about this in my interview so that he can explain it since I’m paraphrasing.

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